For Dr Peter Löw, founder of The European Heritage Project, living well is not about owning more. It is about standing in a long line of caretakers, making sure Europe’s castles, cloisters and farmsteads are not lost to neglect or convenience. “When you dedicate yourself to preserving European heritage – whether through restoring historic buildings, protecting traditions, or curating landscapes – you step into the role of a caretaker, not an owner,” he explains.
“A life well-lived, then, becomes about continuity: ensuring that what was built with care, skill, and meaning before us doesn’t dissolve into neglect or be erased by convenience.” There is, he says, a particular satisfaction in seeing a “crumbling castle, a forgotten cloister, or a nearly-lost farmstead” return to life because someone intervened “with reverence”. “The joy comes not from possessing, but from passing on – with more beauty, dignity, and context than before.”
Heritage as a life philosophy

Löw’s world stretches from medieval monasteries to contemporary luxury hospitality, yet he sees a single thread running through it all. “At first glance, medieval monastic ruins and five-star hospitality may seem like opposites, but they are united by a single purpose: to elevate the human experience,” he says. “Whether through silence, craftsmanship, or comfort, both environments reflect a deep care for how we live.”
His approach is to treat every project as an act of respect for place and time. “My philosophy is to treat every project – regardless of its age or luxury rating – as an act of reverence toward culture, time, and place. True hospitality is heritage – it’s offering something enduring.”
That might mean restoring a remote 12th-century Tuscan monastery which, as he discovered, was far more than a picturesque ruin. As frescoes emerged and burial sites were uncovered, “it became clear this place together with the adjacent castle had once been an intellectual and spiritual heart of its region. Restoring it was not only architectural – it revived a forgotten identity. That revelation still humbles me.”
Inside The European Heritage Project

The European Heritage Project is built on instinct as much as expertise. When Löw travels to assess a new property, he looks beyond surveys and floor plans. “It’s a mix of silence and gravity. If a place whispers, even in its decay, I listen,” he says. “A particular curve of a staircase, a worn stone threshold, a vaulted ceiling blackened by time – these remnants carry memory. There’s often a moment when you stop evaluating and simply feel the weight of generations. That’s when I know: this isn’t just real estate, it’s responsibility.”
That responsibility extends to landscapes as well as buildings. “Culture lives not only in walls, but in wind, light, and soil,” he notes. “An Italian manor on the countryside must smell of basil and stone dust; a Tyrolean farmhouse must creak with wood and winter. Each region demands a different rhythm, material, and sensitivity. I don’t impose taste – I extract it from the land and the people. True preservation is not replication – it’s listening and translating.”
Travel, perspective and renewal

For personal renewal, Löw seeks distance from noise and distraction. “The remote monasteries of Athos in Greece. The high plateaus of the Himalayas in Ladakh. The hidden villages of the natives in the Guatemalan jungle,” he shares. “I seek places where time stretches and the ego shrinks – where there’s no reception, no distractions, just space to feel ancient again. That silence renews me.”
Asked which lesser-known destination he recommends to discerning travellers, he does not hesitate. “Albarracín in Spain. It’s an almost surreal medieval town carved into red rock cliffs, untouched by mass tourism. Its Moorish, Roman, and Christian layers are visible in every wall, every alley. It’s a place where the air still tastes of the past, and every twilight feels sacred.”
His admiration for sensitive restoration extends to other hotels, too. “The Aman Sveti Stefan in Montenegro is certainly a good recommendation – not just for luxury, but for its restraint. They let the stone, sea, and silence speak,” he says. “Another is the Monasterio San Pedro in Chusco Peru, a perfectly restored old convent, an ideal marriage of spiritual heritage and social purpose. Both understand that authenticity cannot be fabricated.”
Lessons for thoughtful travellers

For travellers who want their journeys to feel more meaningful, Löw’s advice is simple and practical. “Let curiosity replace itinerary. Speak with locals longer than you spend photographing landmarks. Choose places that have stories, not just stars,” he says. “And above all: seek the uncomfortable – the moments that challenge your assumptions. Culture isn’t always convenient, but it’s always rewarding.”
He carries that same philosophy into his own collection of artefacts. Among the many pieces he has gathered, one stands apart. “A fragment of a Roman funerary stele, inscribed with a simple line: ‘He lived with dignity.’ I found it half-buried in an old antique junk dealers store near Florence. It reminds me daily that time forgets most things – but how we live endures in small, powerful ways.”
Legacy written in stone and light

If he could restore any site in history, Löw reaches for an almost mythical landmark. “The Library of Alexandria, for me the eighth ancient wonder of the world. It once housed the universal wisdom. And so much was lost when flames consumed its precious writings – most of it never resurfaced. What a loss for mankind! How might the world have developed if all that knowledge had been preserved?”
His most treasured moment of cultural discovery, though, came not from a grand ruin but from a single architectural detail brought back into the light. “It was the moment when we tore down a wall that for decades had sealed the arches of a Renaissance loggia in a medieval Bavarian castle,” he recalls. “Suddenly, red marble columns emerged, and the delicate structure instantly brought a sense of tenderness and joy back to a courtyard that once had lost its dignity to a soulless technical solution. As if the sun were rising! I was deeply touched. That moment was the purest expression of why I do this work: not for profit, not for praise, but for presence – ours, and theirs.”
In Löw’s world, a life well-lived is measured in what we protect and pass on. Through The European Heritage Project, he invites us to see heritage not as something static behind a velvet rope, but as a living, breathing way to move through the world with care.












